In advance of Kohei Yoshiyuki took his Canon 7 into the parks of Tokyo from the 1970s, voyeurism had existed in Japanese art for hundreds of years, as during the sexually charged literary functions of Junichiro Tanizaki or from the seemingly straightforward erotic woodblock prints of Ukiyo?�e.??touches by a bad https://battistag310kxj2.blogpixi.com/profile